Gertrude Abercrombie (1909-1977) was a painter based in Chicago who created surreal and dream-like imagery. She developed her own unique style and color palette, and explained the images of her work with “It is always myself that I paint.” The exhibition will include over 40 of the artist’s enigmatic works of spare interiors and illusionary landscapes—which have been referred to as “psychic self-portraits.”
Idiosyncratic, charming and irascible, Gertrude was presciently contemporary. Referred to as “the queen of the bohemian artists,” Abercrombie entertained many jazz musicians at her home at parties on Saturday evenings and jam sessions on Sunday afternoons, including friends Dizzy Gillespie and Sonny Rollins.
Like the jazz musicians with whom she was friends, she established a repertoire of themes upon which she riffed for decades. Cats, clouds, ostrich eggs, doors, lightning bolts, rocks and sea shells set in airless landscapes and spare interiors became a shorthand with which she chronicled her recurring dreams, fears and obsessions. Her works are spare and syncopated—“off the beam” as Gertrude would say—and always self-consciously performative.
The exhibition includes works from the collections of Laura and Gary Maurer, the Illinois State Museum and Elmhurst College.
Gertrude Abercrombie: Portrait of the Artist as Landscape was organized by Jenny Gibbs and coordinated at EAM by Lal Bahcecioglu. Following its presentation at EAM, the exhibition will travel to the Illinois State Museum, Springfield IL (March 23 - June 15, 2018).
TO READ THE EXHIBITION CATALOGUE.